Lesley Humphrey Writings

Archive for July, 2008

HOW TO FIND A BEAUTIFUL MODEL FOR FIGURE PAINTING

Thursday, July 24th, 2008

 CRYSTAL:  18×14 oil on linen.  2-hour sketch, 2008.

A group of local art friends and I, (Howie Doyle, Dawn McKelvy, Liz Hill, Marty Hatcher, Fred Hulser and Susan Sheets) meet at least every two weeks to paint the model from life.  It’s a vital component to painting competently, even if you paint horses!  This week was the lovely Crystal G., a lovely, exotic young lady I found at Sephora!  You have to be careful how you approach beautiful women, but generally it helps when you’re female, like make-up shops (I bought some bronzer from Crystal), and go in with a lovely daughter.  Now Fred and Howie are a little shy about asking (and so they should be!  Two middle-aged guys, one with a beard, both looking like artists a.k.a. scruffy most of the time.  I’d be leary…very leary..)  Not to say Howie hasn’t managed to find us younger models, it’s where he finds them that has us rubbing our chins from time to time.  All I’m saying is "Peruvian native attire".  (J.K.  You know I love you Howie and very much appreciate you setting things up for us.)  I’ve found fabulous models at the grocery store, horse shows, hair dressers, restaurants, (chefs and waitresses).  You just have to be nice and show them some work so they no you’re not too loopy.  It’s always a good idea to tell them they don’t have to model nude, and tell them the address of your studio so they can tell their mums and dads where to come if they go missing!  (I’ll have to tell you a funny story about the gorgeous male waiter I hired for us once and was hunted by his drama-queen girlfriend; I’ll look for that painting to show you.)  Until then, by for now and have a brilliant day!  Go find those models, and if you can’t go to Macaroni Grill, draw all the eaters on the table cloths.  Some of my best sketches were done while drinking Chianti!

SARATOGA SPRINGS OFFERING 2008

Thursday, July 17th, 2008

"IRISH" 16×12 by me.  It’s about my ancestry.  These wonderful jockey silks contained a shamrock which had me romanticizing about being of Irish descent, and remembering those fabulous Irish Thoroughbreds of my youth.  It was painted in oil on gold panel…..

 

"GOLDEN TICKET" by Lesley Humphrey.  16×12 oil on panel….Painted again from Saratoga references.  This time, I was excited about how my life was going and I felt like I had been handed the golden ticket….at birth!  Lucky me!

"THE DARK HORSE" 2008 Watercolour by Lesley Humphrey.  I painted this on gold prepared watercolour paper with watercolour.  As you can see, the style and application is exactly the same as my oils.  This time though, it’s not about the horse really….It’s about the remarkable race to the White House that’s going on this year.  The filly is out of the running and this guy has an old grey to beat!  Let’s see who wins.  Mmmm. 

JURYING ART SHOWS & CRITIQUES

Wednesday, July 16th, 2008

    To be honest, I feel that Art cannot be judged.  What causes one person to paint this image over that is a very personal choice in matters of Art, and one choice no better than the other if offered from a place of authentic need to express.  One person may paint the darkness that has befallen him/her as an ‘exorcism’ or means of communication and this can be construed as Art; and it does not need to be attractive or marketable.  Others (my favorites) paint something ‘beyond’, something intangible and unknowable, like icons for ‘what might be’.  Many paintings offered in traditional representational galleries are celebrations of the artists’ reality, hopefully containing ‘expressive marks’ of the creator, telling us as much about how the artist felt about the subject as a two-dimensional representation of ‘where he/she was’.  Others are actually craft created by people who have become very good at ‘wiggling the brush’ and paint attractive representations of the world in 2-D  for fun, to earn money, or just because they can.  It’s all fine, just don’t expect me to call it ‘Art’.  (This applies to myself too, of course….In truth, I’m guilty of all of the above.

    When I do agree to jury an art show, often I will think about what the painting tells me of its creator; who is a left-brained, hard worker, who is courageous and painting from the heart, who is having a tantrum on the canvas and calling it art, etc., etc.  In trite horse paintings I often see the ego; in wonderful realism, the dedication to craft (technique is, after all, craft); I love to see courageous, expressive paintings and willingness to think ‘out of the box and communicate something of the artist’s authentic nature aside from her ego.

    Yesterday I received an email from CB asking "would you please look at my paintings and tell me why I didn’t get in this national show?"  I answered her personally, but the following is the list I think is the only fair way to evaluate art for a show.  I developed a system that starts off with quantifying those elements of visual arts that I feel can be evaluated and judged, and I assign each a number out of ten.  I then total the list and those paintings that score the highest in the show, all are evaluated more personally.  For those of you who want to know what those categories are, I list them here…. 

  1. COMPETENT USE OF MEDIA:  Craft, skill, technical competence and confident execution of media.
  2. DESIGN COMPETENCE:  Proficient use of design elements i.e., shape, colour, line, value, texture to support idea.  Abstract appeal and composition.
  3. EMOTIONAL IMPACT:  Does the work invite scrutiny, thought & feelings beyond obvious visual pleasure/interest?
  4. CREATIVITY:  Has the artist thought ‘out of the box’?  Is there an element in the work that is new, unexpected, brave?

  5. MARK ALL YOUR PAINTINGS OUT OF TEN, AND ASK YOURSELF THESE TOUGH QUESTIONS.  (P.S.  MANY OF MINE WOULD FAIL MY TEST MISERABLY….JUST TO LET YOU KNOW!)  Happy creating! 

Summer travel journal: Painting in the rain

Thursday, July 3rd, 2008

Poor Johnny!  It was pouring down rain at Myerscough college when Johnny, his father Clive and the Vail of Lune hunt came to pose while I painted.  (I’m not stupid…There’s me, jet-lagged yet dry in the tent).  I was doing a painting demonstration initially in the rain, but the rain soaked my clothes and my paint wouldn’t move, so I chickened-out.  Johnny let the rain drizzle down his neck for a full 20 minutes.  (The resulting painting is in my studio and will be uploaded soon.)

 

Summer Journal: A feast for the heart & soul; Chatsworth, Derbyshire

Thursday, July 3rd, 2008

The sunlit hills of Derbyshire hint of something wonderful around every bend.  One can never be prepared, however, for the feast for the eyes that is Chatsworth, the home of the Duke and Duchess of Derbyshire.  The beauty of the place, the splendor of its countryside was in fact eclipsed for me by the art collection inside.  Chairman of Sotheby’s, the Duke has secured his beloved collection and heritage from the clawing hands of governmental tax laws by ingenious trusts, set up to preserve his precious history.  One cannot help but be thankful for him and his family who, while they reside still it the family seat since 1600’s, now rent the 1st floor apartments as custodians of Chatsworth.  I imagine the Duke feels deeply in his soul that we are only custodians of art and beauty, and he has done everything in his power to preserve beauty, heritage, and history; all things good about being British, for us all to enjoy.  I admire him to the root of my being.

Here I am in the Duke’s sculpture room.  I have to admit, I was still reeling from encountering two beautiful Rembrandts (purchased by the Duke’s family in the 1700’s when they were still affordable) and fabulous Lucien Freud’s paintings when I walked into this marvelous gallery.  All these treasures to be viewed in someone’s home was a rare, unique experience for me.  It gave the art more presence; it seemed more real, more visceral when viewed nestled in its own private setting.  Here is my newly graduated daughter Lauren in the lawns of Chatsworth.  As an art history major, she was equally stunned by Chatsworth.

Well, as you can see, I live a charmed, artful life.  I am still digesting our June in the U.K. and France and I am utterly grateful to my husband and to all our friends and relatives who mad our travels magical.  See you back on earth!

Summer Journal: Family and France

Thursday, July 3rd, 2008

My wonderful husband (pictured below at Chateau de Chaumont) took us to Paris and the Loire Valley for a fabulous holiday filled.  We stayed at a hunting lodge in a Chateau that boasted a 2 Michelin star restaurant (oh, my goodness, words cannot even describe how delicious and magical that was.)  We LOVED touring Paris again, this time with our children.  Seeing them marvel at the beautiful sights on the River Seine at nightfall, enamored with the Louvre and the beautiful Mona Lisa, strolling through the places our children have studied in art history courses…. What a rare, wonderful treat the entire trip was…  In the evenings we would seek the local fine wines and select the brasserie to sample local delights.  In the days we would travel through centuries visiting our local Amboise (here is my son Chris at Amboise castle being a gargoyle)…

We were rather shocked at the sheer magnitude of the ego and narcissism that would permit one to build the Palace of Versailles when people were starving all around.  Here is Ashley, my second daughter at Versailles..

 

Summer Journal: Running off with the gypsies & Lake District

Thursday, July 3rd, 2008

We didn’t stay too long at Appleby Fair…The gypsies had just arrived and it was a "zoo".  We stayed in a wonderful hunting lodge called Bracken Bank Lodge in the Lake District….

While the family was getting up and around I had all manner of wonderful horses to sketch from this lovely pony passing by to a gorgeous Fresian who looked like liquid ebony in the morning northern June light. 

Summer journal: Boar’s Head pub, my local.

Thursday, July 3rd, 2008

So what do you do in Standish when you’re all nice and dry?  Whet your whistle, of course!  I took my children to sample beer and crisps at my local pub, the Boar’s Head in Standish.  It’s old.  I mean, it was mentioned in the Magna Carta old.  I’ve passed it thousands of times growing up, and stopped in once or twice as an adult.  (I can’t go anywhere without doodling something or someone.  This was done in my travel journal with watercolor and a Bic pen.) 

NEW this week…..

Thursday, July 3rd, 2008

I finished the Northwest Art League demo I called "Passion".  (Herewith).  Also, Racing Colours (herewith), and a model Thursday with a white t-shirt, blue jeans and conservative haircut…(Soon to be herewith.)  

     

RACING COLOURS                                                     PASSION

30 x 20 Acrylic on board                                          16 x 12 watercolour on panel 

Summer Journal: Hung out to dry in Lancashire…

Thursday, July 3rd, 2008

When the kids won’t get up and you want to paint something, what do you paint?  I thought I’d do what Sargent did; paint the first thing you see when you walk out of the door.  In my case, my clothes from the day before hung out to dry (thanks mother.)  Painted directly into my journal on gessoed watercolour paper, in oil (13 x 8).

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