The Artful Life RSS Feed

Question: “Why do you paint?”

Time to Believe 24 x 20 Oil

L asked: ”Why do people spend countless hours painting or pursuing art? Seems so selfish and self-indulgent. What’s the point?”

These days, at least for me, it is a connection to Spirit that drives me on. I only feel connected to life, fully alive, when I have the chance to connect in some way with art or the artistic process. Sometimes that involves writing about art, sometimes teaching, sometimes painting; Sometimes reading or discovering my own insights in other art forms… Sometimes revelations occur constantly when visiting a new city or museum….the list is endless. I am in love with discovery, both of an external and internal nature. It is a permanent unfolding, this love.

L deals with the materialistic world, and has been exposed to many experts; the world’s finest and most influential; A place where critics and experts reign supreme, and only if you are a product of the system, educated by that system, validated by that system, can you be considered a ‘worthy artist’. (Worthy of patronage, collecting or being considered “serious” I suppose.) Whilst I do not have the benefit of their formal education, I have to say that, in my (by comparison very lacking) experience, the opposite feels true: Only if the work originated “not of this material world”, beyond the artist, could it possibly contain ‘Art’.

For me, Art is the essence, the Creative Spirit behind and beyond all things. It can be found caught up in poetry and literature that remakes the mold of men who encounter it. It can be found present in the exquisite line of the Shodo master, or caught forever in great paintings… paintings that bypass the mind entirely, yet burn you with a Presence words cannot describe. I’ve heard it in monastic chants whose words are unintelligible to me, and I’ve heard it in the piercing note of Miles Davis contrapuntal to Marcus Miller’s beautiful baseline. All portray the ‘essence of life’ not dependent upon sight or sound, and not containable or explainable by critics, or those who purport to be ‘in the know’.

  • It is indefinable
  • It is unquantifiable
  • It defies understanding or definition
  • It can only be felt by those who encounter it
  • It feels like a beautiful remembering…

It requires that the ‘artist’ refine himself as an instrument, for he is not a source of It, but a conduit for It. He molds his life, his body and his mind, refines his skill, (into which he probably puts in at least 10,000 hours) then yields his egoic mind, and responds to It. That artist can become a poet, painter, musician, teacher, doctor, scientist… The point is, It is different for everyone. The best way I have found to find one’s path is to follow the advice of Joseph Campbell when he said “Follow your bliss and the universe will open doors for you where none existed before”. In other words, follow your calling. After a certain point, one must go without the need for approval of peers, society or expert opinion. It takes courage to leave the ‘group’, but sometimes one must…

A ‘good artist’ in my opinion, is simply a person who has agreed to do ‘the work’, in body, mind and spirit. Agreed to become a conduit for life. Its direction is fleeting; It is instantaneous and does not appear to occur in linear time or as a result of thought. (Rather, ‘insight’ is it’s preferred communication). Like a bolt out of the blue, the ideas come whole and almost fully formed.

If you ask me if I have created ‘Art’ yet, I would have to say that I have only perhaps seen/felt glimmerings of it within certain works (usually from a powerful intent to serve or help someone or something greater than myself). Some of the works are unfinished, left in precisely that condition because I am afraid that that one, powerful mark may be “the Thing” that moves me, (rather than my skill, or any image that may have occurred). I could never say I have created Art. As part of my process, I always attempt to paint some ingredient that connects us all; Perhaps some reassurance, some human condition that is common to us all… Reminders that ‘you, the viewer are not alone’. My hope is that my viewer feels something ‘beside’ me, rather than being enthralled with any masterful element… that he/she is reassured and comforted, then ultimately, hopefully left with a desire to discover and recover the Art within themselves. That’s where my lessons come in… To give them a way to access Art in their own lives could be my greatest gift and my greatest art form. I just know it’s something I’m powerfully led to do.

I merely respond to the call. Everything I do, when I’m at my best, is just so that I can hear (feel) It. It is beautiful when it happens and I am powerless to refuse… For me, the morning journal, the reading, the walks are only preparations, but necessary preparations. They’re how I ‘tune my instrument’; Tune-in to my highest self. All are ways I have discovered to put my ego aside so I can ‘let the music come through’… When it does… Oh, what a feeling! When it does I am left with an overwhelming feeling of gratitude. Art is a privilege. I am merely a servant to the dictates of the Creative Spirit… the closest thing to God that I know.

And that’s why I paint.


Coming soon… A gift for you…

Brenham Demo: Andalusian

The painting to the right is a demo I did recently for Brenham Fine Art League.  Honestly, in my artistic world, nothing makes my heart sing more than introducing people to a way to embrace art.  The way I see and paint is all “learnable stuff”, and when people watch my demos, or take my workshops, they believe it, for I have found a way to paint and teach that makes the process understandable, efficient, and great fun. Demand for my workshops has hit an all-time high, whilst my my schedule becomes increasingly impossible, and all my faithful and ‘would-be’ students await… very patiently… which has created a conflict.

I have a solution…

In short, my life is one big, amazing adventure, all because of this great journey with art.  It’s time for me to pass on what I know; to ‘give back’ in the best way I know how, and I have decided to post everything I ever learned about painting here… on my website…

ABSOLUTELY FREE FOR ANYONE
…until I am exhausted of ideas and content! I feel it’s just the right thing to do. Consider it my true gift. My wonderful website designer, Colin, is creating us a new page which will be called “Lessons With Lesley”… coming soon…

Lastly, I’d like to share here a picture of what it looks like when my heart is singing. Here I am with my dear friend ‘Annick the artist’ who, blind from birth, never let that stop her! Here we are making some yummy gesso pies together in Karen’s Studio at Heartlift in Wigan.

Annick & Lesley at Karen's

Happy Christmas, Hannuka, Kwanzaa… Happy life! So stay tuned.


The threshold holds the terror…

THE PORTAL: (Derby 12 series) 12 x 12 oil on panel.

Most of my paintings, these days, originate from internal content/inspiration rather than an external subject matter.  All of them are born in the early morning, whilst drinking tea and writing; some of them in the form of a poem, as this one did.

I’ve always been inspired by the Pin Oak Charity Horse Show and it’s mission.  This year, I met a woman, a show jumper herself, who’s courage was sorely tested not going into a giant show ring, but as her beloved child was wheeled away on a gurney for life-saving surgery, in the the very hospital she’d supported since childhood. It was a weighty ‘full-circle’ moment.

Life has many thresholds.  I’ve crossed a few myself.  I know what it’s like to go into the start box of a cross-country event and your ex-racehorse bucking and plunging.  I know what it takes to move to a new land, not having anything ‘mapped-out’ except the next footfall…I know what it’s like to accept a massive commission, not knowing if you have the courage to win the fight against your own fears… And I know what it’s like when a mother watches her child wheeled into a hospital room, some never coming out.

Life’s journey contains various thresholds, various “portals”.  We may never know the outcome; we just have to decide to take a deep breath and move forward, no matter what the challenge.  (I did write a poem here… but I took it out…)


Is every painting a grand performance?

My first one-person show: Marilyn Morgan Hillery Gallery, Pearl Fincher Museum of Fine Arts, Houston. Left to right: The Unbridled Spirit, 'The Derby 12's series', Race Day (diptych)

KUDOS:  I am deeply grateful to Andrea Jetton and friends, Tim Novak, Rosemary Hickman and the rest of the wonderful Pearl Museum staff for hosting my exhibition, providing the perfect culmination of my Kentucky Derby adventure.  You are indeed a beautiful ‘pearl’ in the northwest Houston community, and I love what you are accomplishing with your wonderful museum bringing art to all.

I would also like to thank the owners of ‘Race Day’ (the official Kentucky Derby limited edition image), for graciously allowing me to show their painting.  (They also happen to be owners of the 137th Derby winner, Animal Kingdom.)

Thought for today:

During the past 12 months, my derby year, I did not have much time due to a very difficult travel schedule.  I was distracted by obligations, and did not have much peace with which to ‘germinate big ideas’.  It’s impossible for me ‘not’ to paint though; and with no way to transport major studio equipment, I decided to paint small and portable. The Derby 12′s idea was born, each commemorating personal expressions of my adventure, but not in the way you might think…

Paint artists tend to think of every piece they ever do as a grand performance.  A trip to any art league show will reveal a steady parade of “first timers” proudly displaying the ‘still life du jour’, or the 24″ x 30″ ‘grandchild in cowboy boots, with puppy’ painting, painstakingly painted for at least 10 months or so.  It’s as if painters think they’re better than dancers or musicians;  It’s like little Mary Sue coming home from her first piano lesson, then plonking out “Twinkle, Twinkle Little Star” not for the adoring family, but at the local community theater!  It’s terrifying to contemplate, yet we artists do it all the time.  It’s true what they say about us…. We must be mad!!

Musicians practice.  Dancers practice.  Singers practice…. they all “play their instruments” in between grand performances, and often in the solitude of their own studio.  Why don’t paint artists “play” paintings?  Why should every one end up in a gilt frame, marched out for ooh’s and aahs?

Contemplating this, I realized that, even though I may not have many “grand paintings” in me this year, there was no reason in the world why I couldn’t or shouldn’t play; Why I couldn’t I be like the dancer or the musician?  Why couldn’t I play daily, ‘practicinb my instrument’, testing its depth and breadth and pushing boundaries well away from the public eye?  Why couldn’t I pour my ideas into mini concertos, whether on my iPad in a hotel room or in a makeshift studio in our condo? The Derby 12′s are expressions of me ‘playing the music’, in paint. (A nod to Kandinski, one of my faves, here.)

Isn’t it ironic:  My first one-person show was at a fine arts museum and it consisted of one ultra-finished piece, one unfinished piece, and 12 unframed exercises in ‘testing the instrument’….The latter being the very idea most intriguing to the Pearl as way to educate people about the artistic process.  So play your instrument to the best of your ability, and if you do, your platform will find YOU.

Now… go and play ART!

My best wishes to you, as always.


The Derby 12 Series

12 months of Derby… From May 5th, when I first was asked if I’d like to be considered, all the way through to May 6th and 7th, and the running of the 137th Kentucky Oaks and Derby.  A tremendous cycle that seemed to exorcise every aspect of life, as well as excavate parts I never knew I had… good and bad!  Ups, downs, agonizing decisions, courage, feelings of utter frailty and fragility, as well as tremendous joy.  Requiring determination, guts, and a battle with insecurity that raged throughout, and culminating in a series of experiences that were rare, and often bordering on miraculous.

Perhaps it’s best to consider them small, “personal performances”.  In other words, responses to a burning need to express and work on my art and explore my craft in between “grand performances”.  In years such as these, of constant travel and obligation, they served as platforms for my experiences, my loves, my angst, my challenges; sometimes my longings, hopes and dreams.  Please, enjoy them.

The paintings in the “Derby 12″ series are symbolic of this journey.  Presented here are the first 10, and the full 12 will be available during my Derby Reception hosted by the Pearl Fincher Museum of Fine Arts, Houston:  6:30 p.m. to 9:00 p.m., June 16th. If you’re coming, wear a hat!  My creative pals are throwing down the gauntlet for who has the most flamboyant chapeau!

The Derby 12 Series are all 12″ x 12″, oil on panel, and are $1,200.00 each.  A nice, tidy dozen!

Thanks for coming to see us, and have a fabulous year.

THE PORTAL

ESCAPE VELOCITY (On hold)

TIMELESS SOLD

READY?

VORTEX

RESPITE

STRUCTURE

PARTNERS (SOLD)

THE GAUNTLET

MELEE

Stay tuned for final two…