JURYING ART SHOWS & CRITIQUES
To be honest, I feel that Art cannot be judged. What causes one person to paint this image over that is a very personal choice in matters of Art, and one choice no better than the other if offered from a place of authentic need to express. One person may paint the darkness that has befallen him/her as an ‘exorcism’ or means of communication and this can be construed as Art; and it does not need to be attractive or marketable. Others (my favorites) paint something ‘beyond’, something intangible and unknowable, like icons for ‘what might be’. Many paintings offered in traditional representational galleries are celebrations of the artists’ reality, hopefully containing ‘expressive marks’ of the creator, telling us as much about how the artist felt about the subject as a two-dimensional representation of ‘where he/she was’. Others are actually craft created by people who have become very good at ‘wiggling the brush’ and paint attractive representations of the world in 2-D for fun, to earn money, or just because they can. It’s all fine, just don’t expect me to call it ‘Art’. (This applies to myself too, of course….In truth, I’m guilty of all of the above.
When I do agree to jury an art show, often I will think about what the painting tells me of its creator; who is a left-brained, hard worker, who is courageous and painting from the heart, who is having a tantrum on the canvas and calling it art, etc., etc. In trite horse paintings I often see the ego; in wonderful realism, the dedication to craft (technique is, after all, craft); I love to see courageous, expressive paintings and willingness to think ‘out of the box and communicate something of the artist’s authentic nature aside from her ego.
Yesterday I received an email from CB asking "would you please look at my paintings and tell me why I didn’t get in this national show?" I answered her personally, but the following is the list I think is the only fair way to evaluate art for a show. I developed a system that starts off with quantifying those elements of visual arts that I feel can be evaluated and judged, and I assign each a number out of ten. I then total the list and those paintings that score the highest in the show, all are evaluated more personally. For those of you who want to know what those categories are, I list them here….
- COMPETENT USE OF MEDIA: Craft, skill, technical competence and confident execution of media.
- DESIGN COMPETENCE: Proficient use of design elements i.e., shape, colour, line, value, texture to support idea. Abstract appeal and composition.
- EMOTIONAL IMPACT: Does the work invite scrutiny, thought & feelings beyond obvious visual pleasure/interest?
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CREATIVITY: Has the artist thought ‘out of the box’? Is there an element in the work that is new, unexpected, brave?
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MARK ALL YOUR PAINTINGS OUT OF TEN, AND ASK YOURSELF THESE TOUGH QUESTIONS. (P.S. MANY OF MINE WOULD FAIL MY TEST MISERABLY….JUST TO LET YOU KNOW!) Happy creating!
August 15th, 2008 at 2:29 am
Your blog is interesting!
Keep up the good work!
August 28th, 2008 at 11:47 am
Hi. I am a director of a recently concluded juried art show. One of the artists, who didn’t make it into the show, asked me for her individual judges scores on each art peice she submitted. There were two judges. I gave her her total score - not the judges individual scores for each piece. She got upset that I didn’t give her her individual judges scores. I said it was unethical to do that because giving a Total Score is a world of difference than giving Individual Judges Scores. I told her the reason why is because giving total scores does not expose either judge to criticism. Judges require, and have a right to, a certain amount of freedom to score as they wish and if judges thought their individual scores were going to be made public, then no judge would ever want to be a judge our show or any show for that matter. Am I correct in not giving her her individual judges scores on each art piece?
Sincerely, Gail
October 13th, 2008 at 5:54 pm
Thank you….I’ll keep trying to do so!